So it’s probably about time that we talked about the gigantic pink elephant in the room.
You know, that one. That one where we talk about the fact that I’ve almost completely stopped painting? Yeah, that one.
I keep starting again and then stopping. If I do paint, it’s only ever for an hour, maybe two, at a time. Gone are the days where I’d disappear for 5-6 hours and emerge covered in paint.
Obviously, this has been bothering me and I kept telling myself that it would just work itself out, that the passion would come back, that I’d be fine to paint again. But a lack of passion is not the problem. I’m as passionate as ever about creating great art – I still get choked up, I still get out of breath with excitement. I still have these creative urges that almost overwhelm me.
So why am I not painting?
Because I’m scared
You know the phrase “You meet yourself on the canvas”? I’m meeting me on the canvas. And what I meet unsettles me.
I’ve been telling myself that all of my emotional turmoil is the thing that’s scaring me – it’s hard to hide from it when it’s just you and the canvas. I figured it wasn’t my fault, and that when I was feeling more settled, it would get better.
But that’s a lie. It’s not the emotional turmoil that gets me. That’s not what scares me. True, it unsettles me, but it doesn’t scare me. The fear is coming from something else.
My art wants to expand. My creativity has grown itself some nice big wings while I wasn’t looking and now it wants to stretch them. It wants to experiment, to create, to try, to dream. It wants to stretch my work, and deepen it.
The creative urges that come up when I look inside are deep, raw, passionate, intense urges. They thrill me and terrify me at the same time. These are not paintings of small children frolicking in the park.
These are images of sadness and triumph, sensuality and vulnerability. There is darkness, and bright lights, despair and hope. All themes that show up in my work anyway, but multiplied by a million. And that scares the freaking bejeezers out of me.
Shame
Hello, Shame! So we meet again, do we?
All of that delicious creative energy, all of those deep, raw paintings, all of that stuff that is going to make me ridiculously happy – I’m blocking all of that. On purpose. Every time it comes near me, I squeal, duck and throw up a huge wall.
Get away, creativity! Get away!!
It’s okay, I can hear what you’re thinking. You’re an artist. Are you deranged or something? Blocking your own creativity? What is wrong with you?
I’m scared of that creative energy because it’s not safe. I would love it and trust it, but the people around me wouldn’t. The people I live with, God love them, wouldn’t get it.
“What is that? That’s weird. You can’t paint that. It’s not a bird. You should paint sheep. Or ducks!”
“You’re painting that? No one wants to see that. I hope you have no intention of showing anyone that.”
“You can’t sell things with feeling in them. No one wants to see feeling. You should stop painting clouds and stuff. Make happier paintings. Maybe a small child frolicking?”
“Tourist scenes! Yes, tourist scenes would be perfect. Lots of tourist scenes. How about Niagara Falls? Or some vineyards. You could sell vineyards.”
“If you decide to do this, if you decide to show this stuff, that’s it. You’ve ruined your career. No one is ever, EVER going to buy from you ever again. You’ll have effectively screwed yourself over, shot yourself in the foot. Don’t do it. I’m warning you.”
That’s the attitude I’ve gotten towards my art so far. My work is not crazy and dangerous. But those around me act like it is sometimes. Can you imagine what would happen if they saw what I really wanted to paint? It wouldn’t be pretty.
So the choice is now up to me – can I handle the shaming that would happen if I were to be true to my art? Can I handle the fallout?
Honestly, I don’t know. But my solution for now is to start creating in secret. To give myself time every day where I hide myself away and let whatever comes out, come out. No judgment, no exposure. Just letting it be.
And maybe, just maybe, I’ll build up the courage to show it, and handle the fallout. We shall see.


8 Comments
I have this special thing about your art, especially the landscapes. There’s always the small in the huge, the great expanse and the delicate thing in the middle.
Your portraits (and part portraits) give me this sense of a huge amount of emotion not said, things expressed in tiny details. The movement of hands, the way a person has the slightest tension around the mouth.
You live through your art, and the fact you’ve had to hold yourself down all this time for the sake of the whirlwind around you, and it’s amazing how this contained emotion comes across so vividly in your work.
Joely Black (@TheCharmQuark on Twitter)’s last blog post..Amnari Structure 9: Servants Halls and Holy Complexes
I just wanted to say that I absolutely love the way you write about your work, and the struggle it sometimes is just to bring out what is inside you. Thanks for sharing.
If I had some cash, I would buy your hands painting right now. Right this minute. That’s how much it speaks to me. Hands hold everything, all the life, all the emotion, and you have expressed that so well.
I understand why you’ve stopped. I stopped writing for the same reason. It’s been over two years now and I keep trying to get back. It doesn’t matter how much I want it or need it, fear and shame block my way.
I hope you paint your feelings. You can sell them to writers. They’ll buy them if they can.
Tammy’s last blog post..Simplicity
Secret painting is a good idea.
In a couple of months those people won’t be around. You can paint in the living room of the new apartment and be as creative as you like. Not long.
What do they know about art anyway?
JoVE’s last blog post..Any photographers out there?
Here’s one of the most powerful things anyone can do for themselves – allow yourself to do what feels natural and ‘right’.
Forget about projecting forwards and anticipating what other people might think or say – do it for YOU.
Steve Errey – The Confidence Guy’s last blog post..My Nephew, Confidence and a Rotting Carcass
I agree that secret painting is a great idea. You don’t have to show your work to anyone. Ever. Particularly when you know it’s not going to be well-received. You don’t have to put yourself through that. It’s not something you ever have to be Okay with.
And even though it’s been quoted a thousand times, here it is again: “… Your playing small does not serve the world…” – Marianne Williamson
Of course, you could always paint puppies. Puppies are small and safe. People will buy puppy paintings. Cute people with penny-loafers and beige Volvos and names like “Trip and Buffy” will buy them.
But do you really want those people traipsing through your gallery? I think not. Paint your stuff. Your stuff. Your crazy, big, huge, intense stuff. And Your People will love it. Promise.
Diane Whiddon-Brown’s last blog post..Discovering My Writing Process
I cant tell you how much i appreciate your blog. Your sense of reality is sooo touching and you put words on feelings and situations happening to many of us and it’s of such a relief.
Take good care of yourself and yours.
Kindly,
ann
i say go for it! i’ve found my most memorable art is those that people react strongly too… whether they love it or hate it – it makes them feel SOMEthing! And then when it sells you can see the buyer has REALLY attached to it!
and ya – family and friends are something else when it comes to their comments – they’ve traumatized me more than once with their unintentionally brutal honesty, LOL. At the same time though because of them i’m able to distance my own creative journey/process from the many opinions of others and just continue to explore where ever my muse sends me…
just found this link to yr blog from FB. great article! now’m off to explore the rest of yr site…
EVelyn’s last blog post..I need your help!