
Flint Castle, © Sarah Marie Lacy. Acrylic on canvas, 16x20.
I seem to have lost my direction. In fact, I think that’s been a huge part of the problem of my lack of productivity the past year. I have no idea where I’m going.
True, I’ve got my self imposed schooling, but right now, I’m only in the anatomy section, which while interesting, isn’t a long term creative goal within itself.
Some artists work in series – Hazel Dooney for example, or Christopher Pew. Other artists, like Linda Blondheim, will set themselves themes they want to explore.
I’ve never done this. I’ve always just kind of moved from painting to painting, without ever really working towards an actual goal. For a while it worked, but now it seems that I’m losing focus. Actually, I’ve lost focus completely. I’m not really sure where I’m going next.
To be honest, I don’t even know where I want to go next.
I did the nudes, and enjoyed them, but there was something missing. Don’t know what, but it was something intangible. Love doing landscapes, but after a while, I get bored. Adore doing portraits but no one wants to buy paintings of someone else. Don’t care much for architecture, or social/political commentary. Not really into fantasy or still life or abstract.
So where does my passion lie?
I’m not really sure. Which I find kind of depressing. I love art, but what do I want to do with that art? What am I trying to say? Where in the heck am I going with this?
I would love to specialize in portraiture. I love exploring other people’s personalities and characters. The society portraits by John Singer Sargent? Love them. It just gets me all jazzed up. But I don’t know what kind of call there is for portraiture anymore.
I love my landscapes and I think if I started working bigger, I’d love them more. Right now I’m working quite small, and it’s frustrating me. There’s also the fact that I’m a horrid colourist and really need to learn how to use colour properly. Maybe horrid is a strong word, but I’m getting frustrated with my colours – I can’t seem to get it to look how I want it to.
Mostly, I’m just frustrated. I keep asking myself what I want to be doing, and all of the answers that come back seem to be fairly unreasonable. Paint bigger! Paint portraits! Paint society portraits of people in pretty dresses! Take over the world! Paint more people! Work in oils! Paint bigger landscapes! Make everything grand and huge and glorious!
So maybe my problem is that I know what I want, but because I don’t think it’s very reasonable, I won’t let myself do it. I mean, who on earth paints society portraits these days? And it’s such a pooh-poohed “art form”. Its not real art, like social commentary. It’s just pandering to rich people, at least according to the critics.
But I like it. I like painting people. But I also love huge landscapes. It’s the art I was raised on, the art that inspired me. It’s not that I want to recreate it exactly, but at the same time, if that’s what I love, then what am I supposed to do? Ignore that and do what’s socially acceptable as an artist currently?
I guess it comes down to following my heart, or following my sense of what I’m supposed to do.
And of course, all of this is tied up in the direction that I want my business to go in. My business will follow my art. My customers will follow my art. My Right People will depend upon the kind of art that I’m making.
It’s also tied up in where I show my art. Will I continue to show solely online? Will I actively look for galleries to represent me? Will I do work based on themes for shows? Will I do solely juried art shows? Will I get into licensing my work?
So many questions, not really that many answers.
The only thing that I know is, above all, I want to make great art. The paintings that you see in museums and galleries that grab your soul by the throat and shake you up and capture your imagination and soothe you and inspire you and touch your humanity somewhere deep inside that you forgot even existed.
That’s what I want. I just don’t know how I’m going to do that.
Welcome to one artist's odyssey
On May 21st, I'm going on a quest. A quest for art, for meaning, for beauty, for truth. I'm picking up my life, packing up a suitcase and heading to rural France to live, paint and study art for the next 18 months.
Click here to find out how you can stowaway in my suitcase and join in the adventure!
5 Comments
I’m thinking rich people can afford commissions and portraits and you need to make money from your art right?
So not so unreasonable.
Big – I totally get this. I can not paint small. Too limiting for me. Go gigantic – see what happens. Just do one -see how it feels. If it sells, do another. Take the risk but don’t jump in with both feet. Dip your toe perhaps and think about how your business could point towards portraiture. Surely people still want portraits – they are your right people who will want your special touch on their portrait.
Go for it. You’ll either be where you are or making progress.
Dude, I totally know how you feel! Not for painting, because I do it as a hobby so if I’m not feeling inspired, I just wait a bit.
But in my writing, when I sometimes feel a bit stuck, I just try to have a marathon writing session. I’ll see how much stuff I can produce in, say, a three day period, without regard to whether it’s any good, and with as much variety as possible. Just try to pump out the words.
Sometimes, I’ll get some gems, but mostly it’s drivel. But that’s okay, because it’s just to get out of my funk. Then, I feel like I’ve exercised the demons or whatnot, and something awesome comes to me out of nowhere.
I wonder if that works for painting, too.
@Wormy – I never really thought of that before. I gotta make a living somehow, and if it’s something I enjoy, then why not?
And I think I will start dipping my toes into bigger paintings!
@Sean Scott – First – dude your avatar is BEEKER?! How awesome is that!?
Second – yeah, just doing a painting marathon might get me out of my funk. It sounds kind of fun at the least, so why not right? Thanks for the idea!
You could also try storytelling with your pictures.
For example you could paint two lovers who just met for the first time after a spat, or you could paint a man walking towards to his fate. A child getting his or her first dog. An old woman looking back at her life.
It’s true that a picture tells more than a thousand words and storytelling always gets me out of a funk artwise.
Additionally most people are clearly more interested in art when it hints at an interesting story; maybe because people are made to connect to stories.
(Plus you could easily sneak your love for portraits into a story scene.
)
It’s tough to figure out, isn’t it? All of that “what do I do with all this creative that’s in me?” You’ll figure it out. (By the way, my father-in-law gave me the book “Yellow and Blue Don’t Make Green” — very old school color theory that deals mostly with watercolor, but it was good for me. Got me thinking differently about color.)