Welsh fields: a series in progress

I wrote the other day about the fields across from Rhuddlan Castle but as it happens, that wasn’t the only painting from that shoot. I fell in love with those rich purple-greens and the soft grey light, so there’s actually five.

This is where they start out… (this is the one piece I haven’t had a chance to work on yet.) Burnt umber + ultramarine stained canvas, raw umber drawing.

Work in progress: Welsh Fields #5 10"x12" oil on canvas, $275. © Sarah Marie Lacy, 2012

Work in progress: Welsh Fields #5 10"x12" oil on canvas, $275. © Sarah Marie Lacy, 2012

And then they work up to this level:

Work in progress: Welsh Fields #2 8"x10" oil on canvas, $175. © Sarah Marie Lacy, 2012

Work in progress: Welsh Fields #2 8"x10" oil on canvas, $175. © Sarah Marie Lacy, 2012

 

Work in progress: Welsh Fields #3 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

Work in progress: Welsh Fields #3 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

 

Work in progress: Welsh Fields #4 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

Work in progress: Welsh Fields #4 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

And then eventually they get here….(almost finished)

Work in progress: Welsh Fields #1 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

Work in progress: Welsh Fields #1 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

 

Live on PEI?

Then come see these pieces and more in person on Saturday April 14th, from 7-10pm at the Queen Street Commons, 224 Queen Street in Charlottetown. There will be wine, French desserts and fabulous people.

Click here to find out more.

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A Bridge for Faeries: an almost finished painting

(This is a work in progress for my one-night show, Bon Voyage on April 14th, here in Charlottetown, PEI. To read more about it, click here.)

Work in progress: A Bridge for Faeries, 10"x12" oil on canvas, $275. © Sarah Marie Lacy, 2012

Work in progress: A Bridge for Faeries, 10"x12" oil on canvas, $275. © Sarah Marie Lacy, 2012

There’s something about this ancient bridge and soft lighting that captures my imagination. It’s charming, enchanting.

I used to love faeries as a child and collected the Flower Fairy books by Cecily Mary Barker. I think that’s one of the first places I fell in love with the art; I adored the beautiful, delicate illustrations.

This bridge reminds me of those books and those fairies for some reason that I can’t quite put my finger on. Maybe it’s the softness of the light, or the rich leafy greens. Maybe it’s the lily pads which I’ve always loved. Something about the magical atmosphere of this bridge makes me think fairies are hiding in the bushes and imps will play tricks on you if you aren’t on your guard.

It’s an old bridge, at least 16th century. It’s the bridge that leads out of this small French town; once you cross it, you find yourself in fields of sunflowers within moments.

There’s something about bridges that signifies crossing over, crossing worlds, crossing from one plane to another.

Live on PEI?

Then come see these pieces and more in person on Saturday April 14th, from 7-10pm at the Queen Street Commons, 224 Queen Street in Charlottetown. There will be wine, French desserts and fabulous people.

Click here to find out more.

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Down by the River Cam: A trio of paintings in progress

(This is a work in progress for my one-night show, Bon Voyage on April 14th, here in Charlottetown, PEI. To read more about it, click here.)

The River Cam I, 11"x14" oil on canvas, $395. ©Sarah Marie Lacy, 2012

The River Cam I, 11"x14" oil on canvas, $395. ©Sarah Marie Lacy, 2012

Grantchester Meadows is one of my favourite places. Not necessarily the main part, full of chairs and tables, trees and people, but through the trees and beyond, to the river itself, sluggishly weaving past amongst the reeds and tall, waving grass. That’s the part I love. There’s a richness to the landscape here. In the distance, a manor house peeps through the trees and I feel a pang of envy. To live here, day in and day out, is a privilege I hope they appreciate.

I wander away from my family, to explore the view visually, moving around, looking for the most beautiful angles. I find them, recording them with camera clicks and memory flashes. I imprint the scene, my feelings, in my mind. The camera will record every little detail, but it won’t record my feelings or the atmosphere. They are the notes that I need to remember.

These 2 pieces were just started a few days ago.

I usually start with an full-colour underpainting, where I map out the composition and colour scheme. I want to cover my canvas completely, since it’s of a slightly rougher weave, and I don’t want any of it to show through.

This piece here is about halfway between the underpainting and the second coat:

Work in progress: The River Cam III (Grantchester Meadows) 8"x10" oil on canvas, $175. © Sarah Marie Lacy 2012

Work in progress: The River Cam III (Grantchester Meadows) 8"x10" oil on canvas, $175. © Sarah Marie Lacy 2012

Once I’ve got a rough map blocked in, and it’s dried for a couple of days, I go back in with a second layer. That’s where this piece stands:

Work in progress: The River Cam II (Granchester Meadows) 10"x12" oil on canvas, $275. © Sarah Marie Lacy 2012

Work in progress: The River Cam II (Granchester Meadows) 10"x12" oil on canvas, $275. © Sarah Marie Lacy 2012

You can see that there’s much more detail and it’s starting to gain a feeling of depth, space and realism.

It usually takes a third layer of paint to finish the piece – that’s when I’ll put in details, tidy things and add those final flourishes that pull the piece together and make it sing.

 

Live on PEI?

Then come see these pieces and more in person on Saturday April 14th, from 7-10pm at the Queen Street Commons, 224 Queen Street in Charlottetown. There will be wine, French desserts and fabulous people.

Click here to find out more.

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Shame & Gold Stickers: Finding peace in the process

Work in progress: Orange Hills 8"x10" oil on canvas, $175.00 © Sarah Marie Lacy, 2012.

Work in progress: Orange Hills 8"x10" oil on canvas, $175.00 © Sarah Marie Lacy, 2012.

 

This morning, I am sitting and breathing into the anxiety.

My calendar tells me that it’s April. I’m not sure how that happened. At the end of this month, I’m moving what remains of my belongings to my parents’ house in Ontario, and then on May 21st, I’m flying to France with a couple of suitcases of clothing and art supplies to study and live for several months.

I have something close to $11,000 in payments to make by that date in May.

I also have a confession to make: I’m failing.

Or at least, that’s what my shame tells me. My shame tells me that every month I didn’t make $6000 (5x what I usually make), I have failed.

Every month that I struggle to shine big and be a bad ass and thrive and quadruple my income because I’m still trying to figure that stuff out, I’ve failed.

Every month that the wounds I haven’t healed yet are still there, and still hold me back, I’ve failed.

Every moment that I’m not filled with joy, sparkles and unicorn poop, I’ve failed.

Anyone else ever feel that way?

Dreams are hard for me. Thriving is hard for me. Scraping by is what I know really well. I can make that dollar stretch. I can make what little I have make-do for ages.

And yet, I know that I have so much. Independence and freedom. A career that I love. Wonderful friends. My other half who is so amazing and supportive. Hell, just the country that I live in. (Canada, heck yeah!)

But asking for more? Oh boy. That is hard.

Asking to make a-what-feels-insane $30,000 this year so that I can go to the school of my dreams, live in France and do a bit of traveling.

That seems like so much more, so decadent. So much, when others have so little.

Learning to live with the envy of others has been one of the hardest things about doing this. Some friends are envious of me – happy for me, but envious. Strangers envy me. I never know how to respond. In real life, I tend to hide my dream, my plans, so that I don’t have to deal with it. Telling someone you’re moving to France to study classical art is kind of a conversation stopper.

Black and white thinking is a killer.

It’s so easy to forget that deciding to go to France is about a journey towards thriving, not insta-thriving.

I want to fill my dream with beautiful, loving energy, and blow it gently forward, like a boat on a calm sea.

But I often can’t. Sometimes, all I can take are tiny baby steps that I have to fight for. Sometimes, the bigger I dream, the more I shut down.

And then the shame kicks in and I start to think, “Well, I’m either thriving or I’m not and if I’m not, then I’m failing and if I’m failing, I should just give up.”

­See? Black and white thinking. Not so helpful. Very easy to do. Especially when shame clutches at you.

So I’m writing here to remind myself of a few things.

And maybe to remind you too, as you move towards dreams of your own.

1.       It’s the trying that’s most important.

I could have given up. I could have decided that my life would be much easier, simpler and calmer if I just played it safe and didn’t go for what I really, fiercely desire.

But as hard as it is for me to let myself thrive, I’m trying. No matter how badly I think that I’m doing that, I am all-out-trying to change the way that I live my life and to heal the exquisitely painful things that hold me back.

2.       It’s not about the gold star stickers or the yardstick.

I have an internal yardstick, except there are no gradated values on it –  there’s only success and the end I hit myself with.

Success. Failure. Either, or. Black, white.

I’m either making $10,000 a month or I’m not and everyone will see and know that I suck and that I’m a failure and that I’m contributing absolutely nothing worthwhile to the world.

That’s a space I really have to breathe into. Engrained messages of perfection fuel that yardstick. That voice tells me that if I can just get the gold sticker for meeting all of my goals, then I’m safe, I’m loved, and it’ll all be okay. No one will be able to see what a fraud I am.

Goals are useful. Goals are not a measure of your worth as a human being. It can be easy to lose sight of that.

I’m on a journey – a journey where I’m growing, learning useful things, teaching myself about life, picking up bits of wisdom and figuring out who I am.

That stuff is a goldmine, but an intangible one. I don’t get gold stars for that. (Or maybe I should! Gold stars forever!)

There’s really no end destination here. Just one journey, one quest, melding into another. Failure doesn’t exist here

3.       I’m okay. Really. So are you.

I’m where I’m supposed to be. I’m learning what I need to learn. I’m growing and healing and doing my best to love myself in this hard place.

I’m learning to be on my own team, to defend myself against the shame, to ask only the best I can give in that moment and not perfection every second of the day.

I’m learning to rest when I need to rest and to push when I need to push.

I’m growing into my dream. It’s not pretty, and there’s a lot of fear and panic and crying. Sometimes I just do not know how to move forward. Sometimes, I just don’t know how to let myself be happy.

And I’m learning to not feel ashamed of those things anymore. I am human. I’m a human with a complicated past, who did her best to survive difficult events and developed some coping mechanisms that have become…problematic.

I’m in the process of untangling those mechanisms and building new ones. The self-help books & gurus make it sound so easy and then when, omg it hurts like hell, you feel stupid.

Nope. It actually just hurts like hell. It’s messy. It’s hard. It’s deep, and rich and worthy, but it’s not actually easy. Sometimes it’s simple, but it’s not usually easy. I’m tired of buying that lie.

So I’ll end with an invitation.

An invitation to join me, drop the lie and the shame that goes with it, and give yourself a bucket load of permission and as much love as you’re able.

I want to invite you to appreciate how far you’ve come, because if you’re anything like me, you forget all the time.

And even if you can’t give yourself a gold star, I’ll give you one. Because I believe in your greatness, even if you can’t see it.

We can remind each other.

Paintings galore!

Live on PEI?

Then come see these pieces and more in person on Saturday April 14th, from 7-10pm at the Queen Street Commons, 224 Queen Street in Charlottetown. There will be wine, French desserts and fabulous people.

Click here to find out more.

Don’t live nearby?

Join my newsletter to get invited to the online show and get a chance to purchase on these paintings (priced between $175 – $395) before anyone else gets to see them.

Click here to sign up!

Will you let yourself thrive?

I’m doing something a little different today – there’s no art story, but instead there’s some art wallpaper.

Today, I needed to remind myself that going for my wild n’ crazy dreams is not selfish or evil.

I find, as I move towards my Giant French Art Dream, that my inner struggle is about always allowing myself to thrive, to live fabulously and joyously.

I see it show up in my relationship with money, in my relationship with joy. Kate Courageous wrote this great piece about money, asking you to notice what the story is and to see how that same story is reflected in other areas of our lives.

The money stresses me out but it’s not really about the money.

It’s about shining. It’s about spreading my wings. It’s about unleashing my own powers but also about relishing and soaking up the awesome that is all around me, all the time.

It’s about not just surviving, but thriving.

So I made myself a little reminder to put on my computer screen to remind myself what my journey is really all about – it’s not about being greedy, or selfish. It’s about following my heart, finding out where my desire leads me, and creating Truth & Beauty on canvas and paper. It’s about finding out where my mission in life is going.

Right now, it whispers France with every beat of my paint-drenched heart.

And if I’m struggling with remembering to thrive and to let myself truly live, I figured I can’t be the only one. So I thought I’d share my little reminder with you.

I hope it helps.

(Right click to download and save to your computer.)

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Live on Prince Edward Island?

Then come see this painting in person at my one-night-only show, Bon Voyage, on Saturday April 14th in Charlottetown. Click here to find out more!

Art Stories: The Clock Tower (French town at sunset)

(This is a work in progress for my one-night show, Bon Voyage on April 14th, here in Charlottetown, PEI. To read more about it, click here.)

Work in Progress: The Clock Tower (French town at Sunset) 10"x12" oil on canvas © Sarah Marie Lacy 2012 - $275

Work in Progress: The Clock Tower (French town at Sunset) 10"x12" oil on canvas © Sarah Marie Lacy 2012 - $275

I’d walked this path before, on my first night in this rural French town. It was dark then, almost midnight, when we’d all wandered the path around the orchard, getting to know each other. I’d seen the clock tower then, lit up at night.

This was my second time walking the path, this time at sunset. It was my first view of this tiny, gentle farming town from afar, a place that seemed lost in time. There were moments when you could almost believe that it was still 1890 and life hadn’t changed at all.

That purple-indigo clock tower glowing against the brilliant pink-yellow of the sky, high on its hill, watching over this town for time out of mind.

It had stood there for 900 years, ringing in the day and ringing it out again. Calling in the workers from the fields for prayers, for food, for rest. It still rang the same pattern every day – every hour, and then at other times, still reminding its people of prayer, of pausing. Chiming out for matins, lauds, vespers, signalling the beginning and the end of each prayer period. (If the 7am tolling didn’t wake you up, the 7:10am one did!)

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Art Stories: Trees by a French River

(This is a work in progress for my one-night show, Bon Voyage on April 14th, here in Charlottetown, PEI. To read more about it, click here.)

Work in Progress: Trees by the Argenton River, 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

Work in Progress: Trees by the Argenton River, 11"x14" oil on canvas, $395. © Sarah Marie Lacy, 2012

It had been cold, autumn cold, for over a week. Then suddenly, the weather broke and the sun returned like a long lost friend.

The sun was setting as we left the studio, dumped our stuff and headed down to the lake, eager to break free from the houses and relish the fresh lake air.

As we reached the path, the sun was resting just above the trees. It cast its delicious rays across the water, dancing its way through the trees, occasionally bursting across the path. We walked mostly in the shadows, under the trees, dazzled by the sun, drinking in the glory of an early autumn evening.

We walked up to the bridge and basked in the warmth, like lizards. I knew I was leaving soon. I tried to memorize everything around me, to bring it with me even after I left France. So much of it lives in this painting.

Want to see all of the finished pieces before the actual show?

Then you’ll want to sign up for my weekly behind-the-scenes newsletter, Notes from the Studio, by clicking here!

 

Art Stories: Fields Across from Rhuddlan Castle, Wales

(This is a work in progress for my one-night show, Bon Voyage on April 14th, here in Charlottetown, PEI. To read more about it, click here.)

Fields across from Rhuddlan Castle, Wales<br>11"x14" oil on canvas, unframed<br> © Sarah Marie Lacy, 2012

Work in Progress: Fields across from Rhuddlan Castle, Wales 11"x14" oil on canvas, unframed © Sarah Marie Lacy, 2012

The castle is old and crumbling yet it still retains its majesty. Industrial complexes and cold hard buildings, cheap, thrown up in the 70s, encroach on the fields and streams. Sheep graze next to a trailer rental warehouse. The gentle gray light across the fields captures me, moves me, strikes me right in the heart. It softly glows, making the shadows purple and the greens of the fields and hedges rich and warm.

These are the things that I love about the UK – the light, the colours, even the fluffs of sheep.

There is so much that I want to say in this painting. Something about it feels special, ancient, sacred.

Thousands of years of people moving, living, breathing.

Standing and looking at this same scene.

It’s like time has paused, here on this hillside. I stand for a moment in that timeless time; clockless time, bigger and greater than human life and yet encompassing us all.

Want to see all of the finished pieces before the actual show?

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Art Show Exposé :
Behind the scenes of my one night show, Bon Voyage

In 22 days, I’ll be having a one-night show at the Queen Street Commons (224 Queen St.) here in Charlottetown, PEI. (That’s April 14th, by the way.)

Titled Bon Voyage, this is my goodbye PEI show, my way of saying thank you to the Island for being such a wonderful place to live these past few years. (I’m moving to France in May to keep studying art.)

To read more about my show, go here: Bon Voyage

To read more about my move to France, go here: I’m off on a grand adventure!

The show will feature figurative works, small still lifes, and a brand new series of 18 landscapes that I am currently working on.

I want to give you a peek inside my brain and behind the scenes as I paint furiously to finish these pieces.

Every day until the day of the show, I’ll be featuring a new work-in-progress and telling you about its location, and the stories, love, and inspiration behind every painting.

Then, on Monday April 9th, these pieces will be available for pre-sale and layaway on my site. Any pieces bought will be shipped after the night of the show. (Can’t have blank wall space now, can I?)

If you want to see the paintings before everyone else and get a chance to buy them before anyone else, then you’ll want to sign up for my newsletter (these lovely folks get the special scoop on my art & inspiration): Notes from the Studio

So be sure to check back daily to see new pieces and read about the stories behind them!

 Work in Progress: A Streetlight in Argenton

A Streetlight in Argenton (a work in progress) 10"x12" inches oil on canvas © Sarah Marie Lacy 2012

A Streetlight in Argenton (a work in progress) 10"x12" inches oil on canvas © Sarah Marie Lacy 2012

There’s a single lamp glowing in the dusky early autumn twilight. I’m walking the streets of the village and the light is pink and purple, soft and tender like a caress.

The air is still warm, with that edge of freshness that fall brings. I am filled with peace; with light and hope.

It’s not quite dark enough to need the lamp yet still it shines against the darkening, deepening sky – the crisp, clean yellow edged against the indigo & cerulean.

The tree hangs heavily over the street and my calves burn from walking the steep incline of the road. Bees still steadily hum amongst the flowers, unknowing of the coming winter.

My feet move with joy, and my lips turn up in an unconscious smile.